A day dedicated to immersive music, organized by PXL-Music Research.
Talks by internationally renowned speakers, immersive concerts, and workshops by Amptec, Dolby, DPA, Sennheiser, Klang, d&b, Neumann & Dear VR.
We want to inspire the music industry and all its stakeholders with the limitless possibilities, beauty, and emotional impact of immersive music, both live in the concert hall and online via streaming platforms. This includes in-depth, specialized talks as well as hands-on workshops and crash courses on immersive music.
Our goal is not only to inspire but also to guide, share knowledge, and bridge the gap between creativity and technology. Immersive music offers a completely new dimension to the listening experience, but fully unlocking its potential requires collaboration between artists, engineers, and industry partners. With this initiative, we aim to lower the threshold and pave the way for innovative and immersive music productions.
Program:
10:00 - 18:00 | Symposium
20:00 - 22:00 | Immersive concert
Talks by:
Paul Geluso (NYU Steinhardt): Co-author of Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio.
Wieslaw Woszczyk (McGill University): Director of the McGill Recording Studios and the Laboratory of Virtual Acoustics Technology at the Schulich School of Music of McGill University.
Boris Löhe (Dolby Creator Lab): On the commercial impact of immersive content on streaming platforms.
Birgitte Folman (Sonic College): The impact of immersive audio on live concerts, such as during the Roskilde Festival.
Peter Pilips: Building a Mix from Stereo to Immersive: Do’s and Don’ts.
Neumann & Sennheiser | Stephan Mauer: Head of Product, Why Do All the Speakers Look the Same?, Thoughts on Speaker Design
DPA | Eddy B. Brixen: Immersive Microphone setups
Klang | Stijn Declercq: Immersive in-ear monitoring
From PXL-Research:
Tom Wollaert: Immersive VR applications and digital twins.
Frank Duchêne: The award-winning podcast Batavia (Rose d’Or Award).
Arthur Moelants & Steven Maes: Microphone setups for drum recordings.